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Sell on Amazon Start a Selling Account. Well, I haven't seen drivers on a diskette for a long time already. The card is equipped with no additional software; the drivers take only KBytes. I must say that all sound cards from Ego Systems Inc. On the other hand, you don't have to overpay for unnecessary software.
The installation process was fast and flawless, a special icon appeared in the system tray at the end. However, you can download a newer driver version 3. The new drivers also take about KBytes. The panel provides access to all card's settings. During monitoring a signal level can be measured in 1. The routing of virtual wave devices to real card's outputs is a bit too complicated: the activated headphone amplifier directs sound from the Wave to both outputs.
To make the first output monitor only the Wave, and the second - only the Wave it's necessary to disable the amplifier and turn off the Wave monitoring button. If you understand how to do that, it takes no time. The panel also provides access to an interesting function supported exceptionally by the E-WDM drivers of any EgoSys devices.
It allows redirecting an audio signal from any virtual outputs to any virtual inputs on a software level, i. The commutation is quite clear contrary to the channel routing : All available inputs and outputs shown can be connected with virtual cables. Here the 1. The DirectWIRE also allows recording sound from a WMA file, which is impossible in usual conditions any attempt to output WMA files to a digital-out fails, as well as their direct recording onto a hard drive.
Such scheme looks very handy and universal. There were some problems with latency, but they were solved by setting it to samples in the driver panel. The CPU utilization was very low, no playback problems or clicks were noticed. The Maya44 worked perfectly with the SB Live! As a rule, such things bring in nothing good. We took several CDs with classical, hip hop and electronic music. The compositions were played simultaneously by two copies of the Winamp through the SB Live!
I just had to reconnect the jack swiftly. However, quick reswitching wasn't so necessary, because it was clear that the compositions played on the SB Live! Flat, the clamped and plucked sound produced by the Live! The trip-hop vocals' croaking on the Live! As far as peculiarities are concerned, I must note that highs are too smoothed down - I wish they were sharper. The signal sampling from an external source was good as well. The sound coming from an external CD deck was very clear - no signs of compressed or constrained notes which are typical of multimedia cards.
The Maya44 copes excellently with recording of a guitar and a signal from an external synthesizer. The microphone preamp integrated into the card is actually awful. When it's switched on the noise level is considerable - around dB. When connecting the microphone the noise level added by the preamp is really high. The mic preamp integrated into the SB Live! I wish it were a flaw of just the given sample.
Unfortunately, we couldn't test the preamp on another sample. The outputs of the card were connected to its inputs with a 20cm Proel's microphone cable with gold-plated connectors. First of all, we connected the first line-out of the card with its first line-in. It should be noted that the headphone amplifier is located exactly on the first output, the mic preamp is on the first input. The frequency response graph is extremely smooth: However, these results also include distortions from the microphone and headphone preamplifiers.
The dynamic range has increased by almost 3 dB, and the noise level has dropped by 3 dB as well. The level of intermodulation distortions is now twice lower. Well, it would be better without this microphone preamp at all. In general, the card has impressive characteristics. Maya44 and Cakewalk Sonar In the control panel of the Maya44 we set latency to samples and a sampling frequency to 44, Hz.
After profiling the new device the Cakewalk Sonar defined latency of 5. The Sonar backed by the Maya44 managed to stand the torture carried out with a multitrack composition which consisted of 10 tracks stuffed with Waves and TL Audio effects. The tracks were played synchronously. Finally we coupled the composition with the GigaStudio played tools - but it didn't confuse the card. However, such overload caused some gritting. By the way, the drivers of the SB Live!
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